Las Reproducciones del Oleo de Europa España no Mínimo

 
 

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Pieter Gysels

1621-1691 Flemish Pieter Gysels Gallery

Pintura Identificación::  1807
Garden
Parque
The Hermitage, St.Petersburg
Ermita, St.Petersburg
1621-1691 Flemish Pieter Gysels Gallery

   
 

 

 
   
      

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Jean-Franc Millet

French Realist Painter, 1814-1875

Pintura Identificación::  10556
Garden
Parque
Oil on canvas
Óleo en lona
French Realist Painter, 1814-1875

   
 

 

 
   
      

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Pieter Gysels

1621-1691 Flemish Pieter Gysels Gallery

Pintura Identificación::  28471
Garden
Trabaja en el jardín
mk60 Oil on copper 20 1/2x25 1/2"
el Petróleo mk60 en el cobre 20 25 1/2x 1/2
1621-1691 Flemish Pieter Gysels Gallery

   
 

 

 
   
      


Pintura Identificación::  38768
Garden
Trabaja en el jardín
mk141 ca.1835 Oil on pencil on paper mounted on cardboard 28.8x38.6cm
ca mk141. 1835 Petróleoen el lápiz en el papel montado en el cartón 28.8x38.6cm
1805-1899

   
 

 

 
   
      

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Demetrio Cosola

San Sebastiano,Po 1851-1895 Chivasso

Pintura Identificación::  38828
Garden
Jardín
mk141 1879 Oil on canvas 62.5x42.8cm
mk141 1879 Engrasan en la lona 62.5x42.8cm
San Sebastiano,Po 1851-1895 Chivasso

   
 

 

 
   
      

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Gustave Courbet

1819-1877 French Gustave Courbet Locations

Pintura Identificación::  55587
Garden
mk242 1873 45x54.5cm
1819-1877 French Gustave Courbet Locations

   
 

 

 
   
      

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Jean Francois Millet

1814-1875 French Jean Francois Millet Galleries

Pintura Identificación::  55845
Garden
mk245 c.1853 29.8x39.7cm
1814-1875 French Jean Francois Millet Galleries

   
 

 

 
   
      

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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

Pintura Identificación::  57807
Garden
mk259 1876 Oil on canvas years 112.7 x 165.4 cm
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

   
 

 

 
   
      

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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

Pintura Identificación::  60638
Garden
mk259 1878 Oil on canvas years
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

   
 

 

 
   
      

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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

Pintura Identificación::  60643
garden
mk259 1881 Oil on canvas 82.6 x 74.9 cm
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903

   
 

 

 
   
      

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906

Pintura Identificación::  60870
Garden
mk273 1886 Oil on canvas 92 x 74.5 cm
French Post-Impressionist Painter, 1839-1906

   
 

 

 
   
      

This artist (Louis Lcart) is not available now.

Louis Lcart
French (1880-1950) Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversi??re-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart fought in World War I. He relied on his art to stem his anguish, sketching on every available surface. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. When he returned from the front he made prints from those drawings. The prints, most of which were aquatints and drypoints, showed great skill. Because they were much in demand, Icart frequently made two editions (one European, the other American) to satisfy his public. These prints are considered rare today, and when they are in mint condition they fetch high prices at auction. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honor?? Fragonard. In Icart's drawings, one sees the Impressionists Degas and Monet and, in his rare watercolors, the Symbolists Odilon Redon and Gustave Moreau. In fact, Icart lived outside the fashionable artistic movements of the time and was not completely sympathetic to contemporary art. Nonetheless, his Parisian scenes are a documentation of the life he saw around him and they are nearly as popular today as when they were first produced. In 1914 Icart had met a magical, effervescent eighteen-year-old blonde named Fanny Volmers, at the time an employee of the fashion house Paquin. She would eventually become his wife and a source of artistic inspiration for the rest of his life.
Garden

        
 
   
 

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